Saturday, March 14, 2026

Fetish of Structurelessness


A day ago, the reel captioned I think this is how we do it guys. 🌱🫘 was uploaded to Instagram. In the video, OP described what they envision a "Gen Z solar punk revolution" to look like. 

The main theses of the reel are as follows: 

  1. The Gen Z revolution would be achieved without strong organization or centralized discipline, but instead arise by Gen Z collectively decide to "stop playing the game." A movement that is "a little feral, a little chaotic and completely impossible to control." 
  2. By collectively deciding to opt out of the system and building our own networks of mutual aid and community, the world might be changed without a direct and violent confrontation with capitalism. "the Gen Z revolution isn't going to look like a war, it's going to look like a giant party." 
  3. The Gen Z revolutionaries create a "parallel power" –– an alternative mode of production to the dominant power under which goods are produced communally and shared freely. 
  4. The example of living a better life can be spread online, inspiring more people to do the same. 

Despite its unfounded level of confidence and its grandiose proclamation of revolution, the video is misguided, infantile, and reeks of the worst excess of liberal mysticism. 

 

To start with the most obvious critique, the OP's commitment to non-violence (thesis 2) seems totally absurd in the face of what they wish to achieve. In a different reel defending this commitment, OP claims that the creation of parallel power –– mutual aid networks, growing one's own food and sharing them for free –– is more dangerous to capitalism than an angry man with a gun. They do not seem to recognize that this threat to capitalism necessitates violence, whether they like it or not. Two examples of parallel powers in recent memory: the Black Panther Party and Hamas, are groups that fill in the needs that the dominant power fails to satisfy and gain legitimacy through that act. Absolutely! But neither of these parallel powers are short of angry men with guns. How this violence is to be avoided by the parallel powers they do not say, preferring instead moralizing slogans like "violence is the language of the empires, it's what they're most prepared for." (In fact, there is not much argumentation happening in these videos, only plenty of one-liners and zingers masquerading as arguments.) 

Aside from the quasi-logical moral "arguments" advanced above, OP also attempts at making historical arguments. The problem is that OP doesn't seems to know much history and wish instead to will historical fan fictions into reality.  "Look at history," they say, "the most transformative movements in the world did not win because they were more violent than the empire. They won because their pacifism, their commitment to integrity, honour, justice......made the empire morally and socially unstable and unsustainable." They claim that "...the revolutions we remember are the ones that begin with some dramatic event and it's usually super violent, but the ones that stick are the ones that just kinda like... happen when people stopped playing by the old script." They do not disclose which secret revolution they are speaking of, nor do they discuss the Algerian revolution, October revolution, Haitian revolution, French and American revolutions or any other massively transformative and incredibly violent revolutions of recent history. The most revealing entry of this flaccid historical argument is a joke video captioned Me Explaining How Violent Revolution Leads to Violent Societies and Peaceful Revolutions Lead to Peaceful societies, in which they show an image of the French revolution when discussing a violent revolution and then a stock image of a block party when discussing peaceful revolutions. An astonishing appropriation of history, an incredible rhetorical escape from the reality principle any postmodern fascist would no doubt envy. 

OP occasionally exclaim what seems to be their catchphrase, "respect existence of expect resistance," which is the only situation in which resistance is named. But if he "draws a firm line" at violence, what does this resistance look like? How are we to resist in any meaningful way in the face of the destruction of the parallel power we wish to build? Is there any historical example we can learn from? With the OP not addressing these questions, I can only conclude that they are deeply confused and unserious about their own project.


The difficulties with thesis 1 is very much continuous with that of thesis 2 described above. Refusing to view the reaction of the bourgeoisie –– organized consciously and without hindrance around a common interest while having access to the repressive state apparatuses –– as a real threat, OP favours sporadic, uncontrolled, and structure-less activities that are "a little feral, a little chaotic and completely impossible to control." They speak disapprovingly of "waiting for the political moment or the perfect coordinated date where everyone rises up at once" without realizing that that –– organization, coordination, a united front, centralization and discipline –– is the only means we can take advantage of our numbers, which is our only edge against our more powerful enemy. As Lenin wrote so convincingly in 1920,

how is the discipline of the proletariat’s revolutionary party maintained? How is it tested? How is it reinforced? First, by the class-consciousness of the proletarian vanguard and by its devotion to the revolution, by its tenacity, self-sacrifice and heroism. Second, by its ability to link up, maintain the closest contact, and—if you wish—merge, in certain measure, with the broadest masses of the working people—primarily with the proletariat, but also with the non-proletarian masses of working people. Third, by the correctness of the political leadership exercised by this vanguard, by the correctness of its political strategy and tactics, provided the broad masses have seen, from their own experience, that they are correct. Without these conditions, discipline in a revolutionary party really capable of being the party of the advanced class, whose mission it is to overthrow the bourgeoisie and transform the whole of society, cannot be achieved. 

The fact is that when facing the stronger class the timeless revolutionary motto, apes together strong, holds true. Revolution, then, is hard work, requiring not only heroism but also persuasion, creating broad but wise coalitions, tactics and much more. 

Compared to Lenin's vision of revolution,  OP's ideas of revolution are painfully childish. In an absolutely embarrassing moment in the video, OP describe the style of their revolutions as "Like, remember when our generation was literally stealing toilets out of high school bathrooms? Like, there was no meeting! There was no manifesto! We just started doing that shit!" The "revolution" turns out to be nothing but a pubescent lashing out.

 

Thesis 3 seems like an reasonable statement for a left-leaning person to make. Yet with theses 1 and 2 –– that is, without a strong centralized organization nor a the willingness to use violence –– thesis 3 becomes laden with problems of its own. Without the forceful seizure of land, where will this society plant food for the entire community? Without seizing the means of production, how will we produce enough goods to satisfy people's needs? Paying closer attention to OP's language, "Build tree houses, start little forest tribes," it is exceedingly clear that instead of addressing these problems, OP can only paper over them with a condescendingly European fantasy of a primitive society, in harmony with nature and disconnected with the modern means of production (or all technology for that matter). A society "less like cyberpunk, a little more like Minecraft." 

Mark Fisher pointed out the pitfalls of this anti-modernist Pocahontas ideology in his now iconic blog post about James Cameron's Avatar (blue Pocahontas). "What is foreclosed in the opposition between a predatory technologised capitalism and a primitive organicism, evidently, is the possibility of a modern, technologised anti-capitalism. It is in presenting this pseudo-opposition that Avatar functions as an ideological symptom." It is not difficult to understand why people distrust technology and modernity. After all, technology as we know it is the most effective instrument of domination and control. But to identify technology fully and totally with capitalism, to equate a historical form of appearance of technology with technology as such, is pure ideology. Under capitalism, technology is developed to increase productive capabilities, to ensure labour's submission, to extract resources and surplus value wherever it finds itself –– to serve capital. It cannot appear in any other form under this mode of production. But to turn against technology and embrace primitivism is not only to embrace a false idealization of premodern life, but also to forego the great emancipatory potential technology presents.

The great insight of Marxism against utopian socialism of Marx's time is that we cannot conjure a better world out of thin air, nor can we discern its shape from first principle. 

"What we have to deal with here is a communist society, not as it has developed on its own foundations, but, on the contrary, just as it emerges from capitalist society; which is thus in every respect, economically, morally, and intellectually, still stamped with the birthmarks of the old society from whose womb it emerges."   

The revolution and the world it ushers in must be grounded by the understanding of the opening presented by the contradictions of capitalism and the material conditions it creates. It cannot work otherwise. 

The truth is that we can now and only now build a better world not because people in the past didn't understand having fun is fun, but because for the first time in history the productive power and technology is so developed that we as a species may finally be liberated by necessity and scarcity. That the only viable path forward is not the gruelling return to back-breaking premodern life (for it will look nothing like Minecraft) but to seize technology thus developed to the ends of human emancipation. There is no way out of capitalism except for going through it. 

 

Permeating through all three theses, I think, is an understanding that the state of a movement is determined not by the material conditions it exists under but by the positive or negative attitudes of its members; that the masses may will an entirely new world, willy-nilly and untainted by the old world, into existence –– in short, idealism of the most vulgar and unsophisticated kind. 

By idealism, I do not mean it in the colloquial sense of striving towards an ideal, the opposite of realism; but rather in the Marxist sense of the upside-down view of history as shaped and driven first and foremost by human intentions and will. The OP argues for this position explicitly when they say that social movements "won because their pacifism, their commitment to integrity, honour, justice......made the empire morally and socially unstable and unsustainable." or more pithily and proclaimed in a arrogantly matter-of-fact fashion, "politics is downstream of culture." 

The problem with idealism is that it posits the human mind to be apart and above the material world, the breath of God inside the sons of Adam that are ordained to shape the world to their liking, when in reality the mind is inextricably a part of the material world. Human ideas, then, does not arise in a vacuum, but from the human engagement with the sensuous world and is constantly tested and confirmed by it. Marx wrote in Theses on Feuerbach,

The question whether objective truth can be attributed to human thinking is not a question of theory but is a practical question. Man must prove the truth, i.e., the reality and power, the this-sidedness [Diesseitigkeit] of his thinking, in practice. The dispute over the reality or non-reality of thinking which is isolated from practice is a purely scholastic question. 

It must be noted that for Marx the material condition doesn't only mean the natural world, but also the social reality, i.e. the practical engagement with nature by humanity, her ever changing ways of organizing production, distribution, and reproduction –– the social world. It is in this two-fold world that humanity is thrown in, where she must form her ideas of truth and justice, where she must develop her culture and her relationship to art and music and dance and joy, where she might try to effect change. To stand OP's upside-down statement on its feet, we can say that politics –– understood as the struggle to alter the material conditions, the relations of production, and the relations of domination therein –– determines the shape of culture. 

It is simply insufficient to build OP's solar punk utopia through good vibes alone. "...little seeds of cooperation, resistance, creativity, love," is absolutely meaningless without the collective ownership of the means of production, without the fundamental restructuring of the capitalist social relations. 

 

To envision a utopia, to dare dreaming of a better world after the collapse of the USSR and the pronouncement of the end of history, is a rather difficult business. To OP's credit, it is good that in the current crisis people like them are once again daring to dream. To say that a different social order, one we might actually want, is possible. 

It is true that, as revolutionary writer Anton Ego wrote, "...the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment...... But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so." 

It is therefore not the intention of the present blog to discourage the dreamers, finally shedding the shackles of neoliberal era left wing melancholia, to continue his approximation of the future they want. The hope is rather that the dreams might, through this critique, come into clearer focus. That the dreamers might look onto comrades and movements before us for inspirations and lessons to learn, rather than seeking a clean break from their tradition. 

The task is thorny and terrifying, but to quote the immortal words from The Communist Manifesto, "The proletarians have nothing to lose but their chains. They have a world to win."

Friday, March 13, 2026

TOP 10 BIONICLE WAVES (Objective)

10. Nuva

Toa Nuva is not only a lame retread of Toa Mata, but their masks are also mad ugly. All of the masks are atrocious and too big for the figures. But I especially dislike Gali Nuva's mask, which makes her look like she has huge pig nose, not cool at all. Also they advertised the weapons to be dual purpose, but Lewa's second purpose is just a unique pose. WHAT IS THAT???

9.  Mistika 

Much like everyone else, I also dislike the Toas in this wave. Not one, but two of them has nothing but their canons on them. That's not enough weapons in my book. I like the Makutas in this wave and I think the insect theme is very fun and well done. The slight variation of the Inika build also adds a layer of interest to the sets. 

8. Rahkshi 

The Rahkshi is such a cool concept!!! Assassins that are evangelioned by tiny evil shadow worms??? Sign me the fuck up! I really enjoy it when a wave has squishy collectible MacGuffins. Their hunched design and the spine also make them look so unique and sinister! The reason they are not higher on the list is that they are not only clone sets in build but also in looks. Moreover, I find that their staffs really hinder their posability. They can really only be in one pose. 

7. Mahri

I never had one of these guys so I can't really speak on the build. But from the looks of it, the Toa Mahri has good variety for a Toa lineup. The trailer for the wave, where the ship lowers their weapons and their masks and the Toas suits up, is also the coolest thing in the world. I love their tubes and goggles. Great aesthetics. Very nice.

6. Metru

Once again I've never had a Toa Metru, but I have handled at least three of them at a friend's house. Many would say this is peak Bionicle, and I can see where they're coming from. It is the best blend of articulation and gear function of all of Bionicle, making them wonderful for both play and display. My one critique of this wave (and this is why I didn't get them when I was little) is that their masks are a little ugly. I don't really like how Matau has a HUGE chin. Nor do I enjoy how Nuju looks a little constipated.

5. Phantoka

 

The Toas in this wave are merely ok. Slightly better than the Mistika Toas but not by much. Kopaka is once again just manning the cannon and thats not good. The mid to bad Toas are however saved by the stars of the wave, the Makutas. The bat themed villains are really creepy, second only to the #1 on this list. I especially like Chirox, who has folded arms that can be expanded when flying. It makes him look extra bat-like. The orb that drop out of their chests are also such a cool idea! Makes them feel super alien and superior to the Mistika Makutas imo. Great!

4.  Piraka

Yo yo Piraka, amirite fellas? Anyways, Piraka is in some way what Bionicle is all about. They're weird, they're a little nasty looking, and they're very very cool. I really like their organic faces and tails, it conveys the fact that they're their own species of guys very well. Iconic sets, iconic characters.

3. Mata

 

The boys (and 1 girl) that started it all!!! I love the Toa Mata because they're simply iconic. They may be simple compared to the later waves but god are they fun toys. I enjoy how they try to give the characters some variations in build and silhouette. I adore the gear function and the mask gimmick, I can spin their arms and have them wack eat other's masks for DAYS. last thing I like about them is just that their bright colours look great and eye catching in a lineup. Cool sets all in all.

2. Bohrok 

 

Bohroks are the perfect villains. A creature that travels in swarms that can turn into a ball and also headbutt you??? Great! They're controlled by squishy MacGuffins??? EVEN BETTER!!! You just can't top the imagery of a Bohrok bursting out of its hole man, It's too good. The masks in their brains shooting out, attaching to the Toas' face and turn them evil is also a great way to introduce narrative tension in your legendary play experience. 

1. Barraki 

I love the Barrakis not only because they are my first ever Bionicles but also because they're the best ever. Not only are the each set a TOTALLY UNIQUE BUILD, They also intergrate their respective sea creature attributes so well! Its really cool that they are somewhat squishy and organic. it really puts the bio in bionicle. I adore the squid and think its so creative, and I like that they are tyrannical rulers of six kingdoms who gets banished to the deep sea that mutates you. So cool, so weird, 1000/10!

Wednesday, March 11, 2026

Love of Pikmins; Love of Man

 

On January 5, 2026, a friend invited me to play the popular mobile idle game Pikmin Bloom. It is a game that is much like its spiritual predecessor, Pokemon Go, but much simpler. The player walks around different physical locations to collect seedlings, which can be planted and sprout into pikmins when the player walks enough steps. The player can then deploy the pikmins to activities like fruit expeditions, mushroom battles, and planting flowers.

The game was very fun. Everyday, I giggled in delight seeing them gulping up the nectar I fed them; I took longer routes to places and went on more walks so I could grow another pikmin, find a different seedling, plant one more flower. 

I loved my pikmins. I send them on little expeditions to pick up a fruit, or a new costume they can wear. I gave each of them unique names, and every night I show my boyfriend the new pikmins I planted, and we'd chuckle at the silly names I gave them. 

 

 
 
I found that what made the game enjoyable is the relationship I created with these creatures. It is that I increasingly come to see them as my children. I am of course not alone in this. In a popular tumblr post about pikmin bloom, some children discover in horror the blurring of the line between their mother's pikmins and themselves. They discover that their mother might love her pikmins the exact way she love them.
 

About two weeks ago, I sprouted my 200th pikmin. However, my interest in the game waned with the multiplication of my children. Part of this diminishing of interest is of course good old-fashioned getting-bored-of-a-thing; part of it still is the filling up of in game storage space and the game's subsequent nudge to micro-transactions. Though I can't help but feel that perhaps a factor of this lost of interest is the shift of my position from a father of a family to a commander of an army, a despot of a nation, a God among (Pik)men. 

Mindlessly I drafted my most powerful pikmins to battle a mushroom. I send 15 pikmins on expeditions. I couldn't get myself to care. 30 more pikmins are scuttling next to me, and once they are deployed, 30 more. I no longer know the names of pikmins by looking at them and before long, I stop naming them. The individuals melt into the mass; love and care turn into management. 

Freud touched on this difficulty of universal love in Civilization and its Discontents, 

If I am to love [my neighbour] (with this universal love) merely because he, too, is an inhabitant of this earth, like an insect, an earth-worm or a grass-snake, then I fear that only a small modicum of my love will fall to his share –– not by any possibility as much as, by the judgment of my reason, I am entitled to retain for myself.

Numbers are the enemy of love, and Jesus Christ the most misguided of lovers.

Implicit in the horror expressed in the tumblr post — the horror that their mother views them as an undifferentiated mass — is the suspicion that universal love is in reality no love at all. That despite the claims to the contrary from the theologians and the heralds of fascistic paternal despots, the familial aspiration of religious and national communities is in fact a lie. As lovers we understand the impossibility of indiscriminate loving; and as recipients of love we are dissatisfied with and view as worthless that unspecific love, spread thin to a point of meaninglessness. The father may well be a small despot in the patriarchal family, but the state, god, the dictator may never care and love the way the father does except in dreams and fantasies.